SHAHLA DADSETAN

  • Painting
    • Cosmic sounds – 2020
    • Osmosis – 2019
    • Cosmos mysteries – 2018
    • Inner Journey – 2017
    • Painting, the space, the time – 2015
    • Fly off -2014
    • Silent expression – 2012-2013
    • 2009-2011
    • From metaphysics to esthetics – 2007-2009
    • Between reflection and aesthetics – 2004-2006
    • Painting as the essence of existence – 2001-2003
  • Other projects
    • Industrial landscape – 2008 – 2011
    • Portrait of ? – 2008 – 2011
    • Photo-graphics – 2008 – 2010
  • News
  • Art critics
  • The Artist
  • Contact

SHAHLA DADSETAN

  • Painting
    • Cosmic sounds – 2020
    • Osmosis – 2019
    • Cosmos mysteries – 2018
    • Inner Journey – 2017
    • Painting, the space, the time – 2015
    • Fly off -2014
    • Silent expression – 2012-2013
    • 2009-2011
    • From metaphysics to esthetics – 2007-2009
    • Between reflection and aesthetics – 2004-2006
    • Painting as the essence of existence – 2001-2003
  • Other projects
    • Industrial landscape – 2008 – 2011
    • Portrait of ? – 2008 – 2011
    • Photo-graphics – 2008 – 2010
  • News
  • Art critics
  • The Artist
  • Contact

Painting as the essence of existence - 2001-2003

Between 2001-2003 her painting favors the acrylic mixtures, such as marble powder and inks. She makes use of techniques of mixed painting. Brush, spatula, knife, with naked hand are the tools of an impulse for life which in all its shapes breathes in her paintings.

Those shapes suggest their nature in the birth and the fusion of the colors, their perception is not the reflection of the truth but makes us travel towards art. Her painting becomes a dialogue with the visible and especially with the invisible.
Nicole Lamothe - Art critic
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©2019 SHAHLA DADSETAN

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